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Home>> News in Detail

News in Detail

Microsoft scheme pays users to search

Microsoft's latest effort to encourage people to use its search service is called SearchPerks, which gives people points for using the search engine that can later be redeemed for prizes.

Users who agree to download a small program to track their usage get one 'ticket' per day for every Live Search query, up to 25 per day. The program runs through April, at which point users can 'cash in' the tickets they get and trade them in for prizes or donate them to a charity.

It is the latest in a series of financial incentive-related projects from Microsoft, joining efforts such as Live Search Club, Search and Give, and Live Search Cashback, a program Microsoft introduced in May.

The latest project does not just require a person to use Microsoft's search engine, however. At least for now, it also requires Microsoft's browser (Internet Explorer 6.0 or higher) as well as a Windows PC. Microsoft said those latter restrictions are not necessarily permanent.

"At this time, SearchPerks is a limited promotion, though we remain open to expending availability of the promotion to different browsers and operating systems based on consumer interest," Microsoft said.

In an interview, Live Search senior director Frederick Savoye said the new business models are just one part of a three-prong strategy that includes continued improvements in core search as well as in vertical search, or "simplifying key tasks".

Microsoft has seen mixed results with its incentive programs. Live Search Club, for example, gave Microsoft an initial boost, but its gains appear to be directly tied to its level of incentives. With Live Search Cashback, Microsoft said it has seen some advertisers boost their Live Search spend. eBay, in particular, is spending 50 percent more on Live Search thanks to Cashback, which Microsoft says offers significantly higher conversion rates than traditional search.

On the broader goal of boosting Microsoft's share of the commercial search business, Savoye said Cashback has yet to make a meaningful shift in share. "We haven't seen it move significantly yet," he said.

PR director Whitney Burk said programs such as SearchPerks are still needed to introduce people to Microsoft's search product.

"We know we have some challenges with the brand and perception," Burk said. "Simple awareness is still a challenge for us."

People can sign up for SearchPerks until the end of the year, or until Microsoft reaches its target of 250,000 participants. Rewards can be earned until April, although Microsoft may decide to extend or expand the program.

In pilot testing, Microsoft said it saw those in the program perform three times the number of searches they had been doing. Savoye noted that in the airline industry, for example, loyalty programs have become a standard part of doing business.

"Over the long-term these programs have changed people's behavior," he said.

Adobe Unveils CS4 Suite

Adobe unveiled Creative Suite 4 (CS4), the latest update to the its suite of high-end applications for print, Web, and video professionals. Available in October, the suite consists of 13 products, 14 integrated technologies, and seven services.

One of the biggest changes users will notice right away is the new tabbed interface for applications in CS4. Adobe has given all of its applications the ability to use tabs, so you can have multiple tabs open at the same time, but still be in one window.

Files and objects can be shared across tabs by clicking and dragging them and holding them on a new tab. Of course, if you prefer the multiple window interface of the old Adobe products, you can still use that too.

Major standalone products released as part of CS4 include Photoshop, Photoshop Extended, InDesign, Illustrator, Flash Professional, Dreamweaver, After Effects, and Adobe Premiere.

If there is a consistent theme in Creative Suite 4, it's integration. Adobe integrated its Flash multimedia application across the CS4 applications. The company also focused on integrating common functions in other apps, too, as part of an effort to make pro users more efficient.

"One of the things we are really committed to is helping customers express their ideas," Chad Siegel, group product manager for Adobe Creative Solutions, said. "We aren't just about providing the tools, we are about making a platform to help them express themselves in engaging ways."

Trying to come up with solutions to challenges for one product the size of Photoshop is a daunting task for any company, but coming up with solutions for eight or 10 products can seem almost impossible.

Siegel said Adobe spent a lot of time with its customers, watching what they were doing on a daily basis. Isolating the workflow issues of a variety of pro users helped the company narrow the focus of where CS4 needed to go.

According to Siegel, Adobe focused on four key challenges across the suite of applications--effective collaboration between designers, developers, specialists within workflows, creative pros and clients; support for mobile devices and new media; the embrace of new media; and tracking, managing, automating and deriving value from assets.

To allow collaboration Adobe now offers a set of online services on Acrobat.com to allow designers and clients to create and share documents. Groups can also use Adobe ConnectNow to meet live over the Web and share a computer screen. This gives designers the opportunity to get immediate feedback and make any necessary changes to a design without sending documents to clients and waiting for them to be returned.

Focusing on the mobile platform, applications across the suite are now more tightly integrated with Adobe Flash, which allows designers to use the SWF format for mobile devices.

Being able to use new media was a major factor for many companies that Adobe spoke with since the last Creative Suite release. When building the new video tools, for example, Adobe had to consider that while broadcast revenue is an understandable business model, businesses are looking beyond that now. To help them, Adobe worked to help them understand their assets and how they could be used.

CS4 includes an expanded version of Dynamic Link in the Production Premium suite that enables users to move content between After Effects CS4, Adobe Premiere Pro CS4, Soundbooth, and Encore, so updates can be seen instantly without rendering.

Other new tools like Photoshop's Content-Aware Scaling automatically recomposes an image as it is resized, preserving vital areas as it adapts to new dimensions.

Adobe made some big changes with sharing and collaboration in CS4. Adobe ConnectNow, can be accessed from InDesign CS4, Illustrator CS4, Photoshop CS4 and Photoshop Extended CS4, Flash CS4 Professional, Dreamweaver CS4, Fireworks CS4, and Acrobat 9 Pro, allowing real-time collaboration with two colleagues or clients.

Adobe Kuler, a Web-hosted application for generating color themes, is now accessible from within InDesign CS4, Illustrator CS4, Photoshop CS4, Photoshop Extended CS4, Flash CS4 and Fireworks CS4, and can be shared by designers. Kuler is available for owners of the individual applications or the suites.

Adobe Creative Suite 4 will be available in October. Adobe Creative Suite 4 Design Premium will cost $1799 and includes InDesign, Photoshop Extended, Illustrator, Acrobat, Dreamweaver, Flash Professional and Fireworks; Adobe Creative Suite 4 Web Premium will be $1699 and includes Dreamweaver, Flash Professional, Fireworks, Photoshop Extended, Illustrator, Soundbooth, Acrobat and Contribute; and Adobe Creative Suite 4 Production Premium is $1699 and includes After Effects, Premiere Pro, Photoshop Extended, Illustrator, Flash Professional, Soundbooth, OnLocation and Encore.

Adobe Creative Suite 4 Master Collection costs $2499 and includes InDesign, Photoshop Extended, Illustrator, Acrobat, Dreamweaver, Flash Professional, Fireworks, Contribute, After Effects, Premiere Pro, Soundbooth, OnLocation and Encore.

Adobe will offer tiered upgrade pricing from previous versions depending on the applications you own. Details of the upgrades are available from Adobe's Web site.

America's 5000 Fastest-Growing Private Companies Revealed: Design Reactor Ranks 2566

Design Reactor

Inc. today ranked Design Reactor 2566 on its annual ranking of the 5000 fastest-growing private companies in the country.

The list is the most comprehensive look at the most important segment of the economy - America's independent-minded entrepreneurs.

Taken as a whole, these companies represent the backbone of the U.S. economy.

Our second annual Inc. 5000 continues the most ambitious project in business journalism," said Inc. 5000 Project Manager Jim Melloan.

"The Inc. 5000 gives an unrivalled portrait of young, underreported companies across all industries doing fascinating things with cutting-edge business models, as well as older companies that are still showing impressive growth."

Design Reactor provides integrated digital marketing services by combining intelligence, strategic planning, and proven creative and technology innovation to deliver effective, results-driven marketing communications.

The agency services industry leaders such as AMD, Cisco, Disney, HP and Motorola.

For over 11 years, the agency has developed award-winning digital marketing solutions that have been at the forefront of technology development, setting precedent by establishing emerging digital communications channels and platforms.

http://www.inc.com/inc5000/

Dulux Colour Awards 2009 Entries Now Open

Dulux

Now in their 23rd consecutive year, the Dulux Colour Awards (DCA) has achieved an inimitable industry status as a channel for creating and showcasing some of the country's most inspiring and thoughtful applications of colour in design.

The 2009 programme promises to be no exception, with architects and interior designers encouraged to "show their colour touch."

The prestigious Awards have traditionally attracted some of Australia's most brilliant and lauded design professionals, including John Wardle, McBride Charles Ryan, Kerstin Thompson, Nonda Katsalidis and, more recently, '08 Grand Prix winner the Carr Design Group.

However, DCA draws considerable praise for its commitment to fostering emerging talent, as spokesperson and first-round DCA judge Andrea Lucena-Orr explains.

"Dulux understands the importance of nurturing a respectful and creative attitude towards colour early on, and our DCA tertiary category is an exceptional opportunity for developing specifiers to show their colour touch.

This is also a great opportunity to be exposed to industry circles and aspirational peers," said Lucena-Orr.

The 2009 programme is set to continue to motivate all levels of the industry, with fresh additions to prize incentives.

http://www.dulux.com.au/colourawards/

The Peugeot RC Hybrid Concept Car

Car
Peugeot has unveiled a hybrid concept car, previewing a new design language that will replace the French car maker's polarising "big mouth" styling.

The RC concept car is the first vehicle designed by Peugeot's new design boss Jerome Gallix and will debut at October's Paris motor show with design cues that will first feature on the all-new 408 large car due in 2010.

Peugeot's Lion badge has been supersized for the sleek-looking RC concept, a four-door GT coupe that joins the likes of the VW Passat CC and forthcoming Porsche Panamera and Aston Martin Rapide in mimicking the Mercedes-Benz CLS.

The RC evolves styling of previous Peugeot concepts - 2002's RC Spade and RC Diamond, and 2006's 908 RC - as well as using the two capital letters that signify the company's sports models in mainland Europe.

A toned-down version of the new, four-seat RC's aggressive-looking front end is set to form the French brand's new corporate face, replacing the gaping-grille design first introduced on Peugeot production models with the 2004 407.

Legendary Designer Yves Saint Laurent Dies at 71

Yves Saint Laurent, one of the most influential and enduring designers of the 20th century, will be remembered for empowering women through his fashion, a longtime friend and associate said.

Saint Laurent died Sunday at his Paris home after a yearlong battle with brain cancer, said Pierre Berge, Saint Laurent's business partner for four decades. He was 71.

"Chanel gave women freedom" and Saint Laurent "gave them power," Berge said on France-Info radio. Saint Laurent was a "true creator," going beyond the aesthetic to make a social statement, Berge said. "In this sense he was a libertarian, an anarchist and he threw bombs at the legs of society. That's how he transformed society and that's how he transformed women." In his own words, Saint Laurent once said he felt "fashion was not only supposed to make women beautiful, but to reassure them, to give them confidence, to allow them to come to terms with themselves."

Saint Laurent was widely considered the last of a generation that included Christian Dior and Coco Chanel and made Paris the fashion capital of the world, with the Rive Gauche, or Left Bank, as its elegant headquarters.

7th Conference on Interaction Design for Children

Each day, we interact with hundreds of technological devices that help us organize our lives, achieve our goals, and indulge in our passions.

For children today, technology is especially pervasive in all aspects of life.

They learn and play using computers and other technological devices; as they grow, they build and maintain friendships using computers and mobile phones; they interact with one another virtually; and even find critical interpersonal support and therapy using computers, the internet and other technology-enhanced products.

Given the ubiquity of technology in children's lives, it is surprising that so few venues bring together those who are concerned with designing the technologies and the interactions with technology that are so important to children's lives.

For this reason, IDC 2008 will bring together, in the diverse city of Chicago, an international community of researchers, educators, and industry professionals concerned with interaction design for children, in order to think outside the toybox.

Learn More

Panasonic to release 32GB SDHC Memory Card

The options for consumers looking to boost storage capacity for their increasingly sophisticated Camcorders just keep getting better. In the latest development, Panasonic has announced it will release a 32 Gigabyte SD High Capacity (SDHC) Memory Card with Class 6 speed specification in April 2008.

The new USD$699 RP-SDV32GU1K SDHC Memory Card can record up to 12 hours of 1440 x 1080i High Definition video (based on the use of the company's HDC-SD9 Camcorder in HE mode) and like existing Panasonic Cards, can operate in temperatures ranging from -13°F to +185°F (-25°C to +85°C).

Class 6 speed specification means that the cards have a maximum data transfer speed up to 20MB/s. The card also incorporates a new user-friendly labeling feature, which allows users to write titles or comments directly onto labels on the front and back of the card.

Specifications

  • Memory Capacity: 32 GB
  • Usable Capacity: 30,979 MB
  • Physical Specification: Version 2.0
  • Data Transfer Rate: Up to 20MB/s
  • Speed Class: Class 6

A quick look at Voxan’s French V-twin range and the Starck Super Naked concept

Voxan Xv by Stark 1

French manufacturer Voxan has a stable full of nice 1000cc V-twins that we don’t get to see a lot of in other parts of the world. The Voxan rage was looking very delectable at the Paris bike show, so we thought we’d run a quick overview of the current range and a couple of upcoming and custom bikes like the Starck Super Naked above to show you what you’re missing out on if Voxan’s not sold in your area.

At the heart of most of the range is Voxan’s own 998cc, 72-degree liquid-cooled V-twin, fed by Magnetti Marelli injection. France imposes a frankly disgraceful 100-horsepower limit on all roadbikes, so that’s what the French retail versions of all Voxan bikes put out. Certainly the engine is capable of plenty more, and I’d imagine there’s a thriving derestriction industry ready to juice them up fresh from the showroom.

First up, there’s the Black Classic about, with lines not dissimilar to Ducati’s 1000 Sport:

Creative takes 18% stake in Soundbuzz.com

SINGAPORE--Nasdaq-listed Creative Technology Ltd has taken an 18 percent stake in digital music distributor Soundbuzz.com Pte Ltd.

The investment is "a watershed for Creative to move into the content area," said Sim Wong Hoo, Creative CEO, who declined to reveal the investment figure.

He added that the stake in Soundbuzz.com will add "significant synergy" to Creative's personal digital entertainment (PDE) strategy.

Creative has invested in numerous Internet start-ups including artificial intelligence company MindMaker, voice conferencing companies AudioTalk and MediaRing.com, and broadband company Centillium Technology.

Creative launched a US$100 million investment fund early last year to help transform the company from a traditional manufacturer of graphics cards and speakers, to an Internet dotcom investor.

Part of the investment from Creative will be used for expanding Soundbuzz.com's operations in Asia, Soundbuzz.com said.

"Creative's range of PDEs like its family of NOMAD digital audio players, will certainly complement Soundbuzz.com's current and future music entertainment offerings," said Soundbuzz.com head and co-founder Sudhanshu Sarronwala.

Soundbuzz.com already has content, advertising and marketing partnerships in Singapore, Malaysia, the Philippines, Indonesia, Taiwan, Hong Kong Thailand and India.

Music distribution services will be launched in Singapore, Malaysia, the Philippines and Indonesia on April 30, said Soundbuzz co-founder and director Shabnam Melwani. Its Web site will allow users to sample, buy and download (legally) distributed digital music.

Sites for the Taiwan and India markets will be launched by May and June respectively, Melwani added.

According to a Goldman Sachs survey conducted in 1999, worldwide online music sales is expected to increase to US$3.3 billion by 2004 from US$29 million last year.

In January, Soundbuzz.com secured US$1.6 million in its first round of financing from several investors including the National Science and Technology Board, a US-based venture capitalist and SingTel chairman Koh Boon Hwee.

In February, Soundbuzz partnered regional Internet player Lycos Asia--a US$50 million joint venture between Lycos Inc and Singapore Telecommunications--to provide the Lycos Asia portal with downloadable digital music.

New Digital Team for Saatchi & Saatchi Singapore

Saatchi & Saatchi Singapore has announced the appointment of Nathan Hackstock as Digital Creative Director and Simon Lazenby as Digital Business Director, as part of its mission to become the most hot-wired creative company on the planet.

They have been looking for some time for a world class digital thought leadership team that can be the change agents their creative culture is yearning for. Both Nathan and Simon represent that.

Nathan was most recently the Digital ECD at Clemenger BBDO Sydney. Prior to that he was one of the leaders responsible for setting up Tequila of TBWA/Chiat/Day LA's digital offering, and before that worked with our Saatchi & Saatchi office in LA to structure and plan for Toyota's entry into the digital space.

Simon joins the Singapore team with ten years online experience across the UK, North America and Asia Pacific. He recently moved from Australia where he previously worked as Head of Digital for M&C Saatchi leading a large team of interactive marketers.

CEO Michael Rebelo commented, "We are not setting up silo digital organisation at Saatchi & Saatchi Singapore. Nathan will be teaming up with our creative leaders - Richard, Andrew and John, to ensure that technology is driving our creative solutions at every turn with inspiration and innovation.

"Simon will work across our entire client base to make sure that from a communications planning perspective our clients have the right digital thinking in their strategy, implemented with precision and measurement."

The Designer's Desktop Manual

The Designer's Desktop Manual unravels the essential technical aspects of key areas of print - and screen - based design - type and typography; colour; imaging; layout; and printing - via step-by-step projects and inspirational examples.

Each section focuses on technological issues - from the most basic, introductory techniques and principles, to more advanced practices - and the skills needed to work within each area of design.

This book also puts the most up-to-date digital and hand-made techniques into the context of the evolution of design.

more: http://www.amazon.co.uk/exec/obidos/ASIN/2940361762/ref=nosim/dexigner-21

Artvertising : Aka the Million Dollar Building

Artvertising is a project exploring the relationship between commerce and art, society and the workings of the market, and between the private and public domain.

A large façade in Amsterdam, consisting of some 23.000 tiles, was replaced by images, mostly of corporate and organizational logos, but also messages and art works - that were purchased at a cheap and accessible price.

The result of the project and the wide-ranging reactions are explored in this book.

more: http://www.amazon.co.uk/exec/obidos/ASIN/9081165518/ref=nosim/dexigner-21

Third Eye Design Appointed Consultants for Victor Alfaro

Third Eye Design has been appointed to create a new brand identity, guidelines and packaging for American Fashion Designer, Victor Alfaro.

Victor Alfaro's style is avant-garde, sleek in cut and line combined with the use of luxurious fabrics.

His eveningwear is characterised by designs embodying a spirit of sexuality and power through body-clinging garments in leather and sheer fabrics.

Alfaro's clothes are worn by celebrities including Madonna, Nicole Kidman, Demi Moore, Mariah Carey and Winona Ryder.

The project will involve packaging, swing tickets, shoeboxes, label designs and marketing materials.

more  www.thirdeyedesign.co.uk...

Troika Design Group Helps Unveil truTV

Troika Design Group, a strategic network branding and design agency, has helped spearhead the renaming of Court TV as truTV. The rebranding effort - which includes the tagline "Not Reality. Actuality." - coincides with an expanded programming lineup. Working closely with truTV and Turner Entertainment Network executives, Troika designed truTV's brand identity, including the network's logo, on-air package, daytime package, print collateral, custom image library and audio package. truTV launched Jan. 1.

"Troika created a distinctive look that will help truTV establish itself as a solid brand," said Marc Juris, executive vice president and general manager of truTV. "This project is a critical step as we remake Court TV into an even stronger network under the truTV name."

Court TV wanted to update its brand to reflect the network's emphasis on real-life shows. The network was already home to popular unscripted series like Speeders, Forensic Files and Most Shocking. Many casual viewers, however, still associated the network largely with trial coverage. While Court TV's programming evolved, the network believed a new brand was needed to further communicate the changes.

To help the network find its new on- and off-air voice, Troika Design Group delivered an expansive graphics package that included a new truTV logo and extensive on-air identity components. The on-air package features 10 network IDs, 10 promo packages, truTV franchise logo animations, menus, launch IDs and bug systems, along with a corresponding custom image and HD footage library. In addition, Troika produced an on-air ID package for IN SESSION, the name used for the network's daytime programming block of trial coverage.

Troika also developed print collateral for truTV and IN SESSION.

The on-air design for truTV was based on tightly cropped photos shot by Troika during a multi-day shoot. These hi-res images of ambulances, stop signs, gurneys and other iconic images relate to truTV's programs. The photos are juxtaposed with splashes of saturated primary color, combined with bold typography in simple, clean layouts. Troika based the truTV logo design on the idea that truTV offers definitive programs. The logo features "tru" in a sans-serif, lower-case font, with a circle containing "TV" that acts as a period to emphasize that truTV is absolute and final. In animation, the period slams into place, accompanied by sound design.

"Typical reality programming pretends to be real but, in fact, is highly contrived and manipulated," said Dan Pappalardo, partner and executive creative director at Troika Design Group. "truTV is the real deal. The shows are based on actual events and people, providing drama that only real-life can bring. This led us to develop a concept that compares the real-life shows on truTV against reality TV."

FUSE : Brand Identity & Package Design

FUSE: Brand Identity & Package Design, April 13 - 16, 2008 at Pier 60 (Chelsea Piers) in New York City, is an annual gathering uniting top brand strategists, design mavericks and packaging leaders to share radical ideas about fusing strategy and design to drive brand innovation.

The FUSE experience will urge brand design leaders to step up and do something different.

Each year, hundreds of leaders converge at FUSE to advance their brands, businesses, and careers... and to get inspired by our speakers' stories.

Attendees have a diverse set of expertise - graphic design, marketing strategy, brand management, package design, art direction, structural design, consumer insights, and design research.

Industries represented include consumer packaged goods, industrial manufacturing, technology, retail, financial services and health care.

Past speakers at FUSE read like a "who's who" of the brand design world: Philippe Starck; Rem Koolhaas; Daniel Libeskind, Milton Glaser; Karim Rashid; Mary Lewis; Bruce Mau; Mirko Ilic; John Maeda; Clement Mok; Stefan Sagmeister; Paula Scher; Michael Bierut; Virginia Postrel, Author of "The Substance of Style"; Minda Gralnek of Target; Alex Lee of OXO; Eric Ryan of Method; Claudia Kotchka of Procter & Gamble; Stanley Hainsworth of Starbucks; and Jeffrey Keyton of MTV.

more http://www.iirusa.com/fuse/fuse-home.xml

Gnomon Hosts Craft Animations

Gnomon School of Visual Effects is hosting Craft Animations' launch in the U.S.

The event will introduce attendees to Craft and feature a tech talk by the creator of Craft Director Tools, CTO of Craft Animations Luigi Tramontana.

In addition, Mark Noland of Autodesk will demonstrate the new features of 3ds Max 2008, and Andrew Roberts from Digital Dimensions will give a very special presentation on the importance of realistic motion in visual effects and, more specifically, Digital's reasons for choosing Craft Animations for their latest project, GET SMART.

more http://www.gnomon3d.com/ezine/2007-2008/ezine_122007.html

BIO 21 : The Biennial of Industrial Design

The Biennial of Industrial Design (BIO) is a prestigious international exhibition of industrial design, visual communication and design concepts.

It is one of the few events in the world to present, every two years, an expert selection of industrial design products and to promote, through well designed products by Slovene and foreign designers, contemporary trends in international design.

New for 2008, BIO 21 has modernised the registration and selection procedure.

An international selection committee will examine all entries equally and select the most appropriate items of industrial design, visual communications and design concepts.

For the first time in the Biennial's history, the registration for BIO 21 will be possible online.

At BIO 21 the focus will be on design projects that propose creative and innovative solutions to the problems of life today, are oriented toward sustainable development and social responsibility and address the special needs of various groups of users.

more http://portal.bio.si/index.php?id=1&L=2

Asia's Design Event Attracts 100 World Class Designers to Hong Kong

Business of Design Week (BODW) 2007, the word's largest international design event, closed on 15 December, bringing to an end a week which collected together the world's most influential designers and participants from government, business and academia with the aim of championing good design for business success.

Organised by Hong Kong Design Centre and supported by the Government, BODW attracted nearly 50,000 participants and more than 100 of the world's top creative minds.

The year's BODW Forum featured over 30 top design masters.

Speakers included architectural legend Zaha Hadid, venerated designers Tom Dixon and Marc Newson, Italian maestros Mario Bellini, Michele De Lucchi, groundbreaking Asian innovators Fumie Shibata and Tony Suppattranont as well as Chinese antiquities expert Tian Jia Qing.

Design experts from companies including automotive leaders Stile Bertone, Nissan and Ducati, trend-setters Missoni and Kartell, and electronics innovators TCL and Philips also shared their insights during the three-day design extravaganza.

"Design has never been more important for forging new solutions, whether they be taking business to new dimensions, addressing environmental concerns, preserving local cultures in light of rapidly globalising society, or meeting the demands of new and exciting technologies," said Victor Lo, Chairman, Board of Directors, Hong Kong Design Centre.

Ford's New Powerwall Capability Accelerates Product Design and Quality

You haven't seen vehicle design until you've seen it on a "powerwall."

What sounds like an extreme sport maneuver or a video game challenge actually is helping accelerate the globalization of product development and market research at Ford Motor Company.

Ford is completing installation of several state-of-the-art digital powerwall studios at its Product Development Center (PDC) in Dearborn that will help get products to market faster. Powerwalls use high definition (HD) rear-screen projection to enable review and refinement of full-scale computer-rendered vehicle designs prior to fabricating physical properties in foam, clay and fiberglass.

In addition, Ford Market Research uses mobile powerwall technology to "test" vehicle designs, including potential global products, with consumers around the world. More than ever before, consumer insights drive vehicle design.

"This technology is an integral daily working tool that enables us to bring more of our vehicle design processes into the digital environment," said Peter Horbury, Ford's executive director of Design for North America. "It expands our capability and has the potential to save a significant amount of time and money as we continue to globalize product development."

The centerpiece of Ford's new powerwall facilities is the Electronic Design Presentation Room (EDPR) at the Product Development Center, which features a 60-foot-wide wall that accommodates three 20-foot-wide projections simultaneously. It enables the review of Ford and competitor model exteriors and interiors through the use of highly detailed graphic rendering technology that is four times sharper than standard Blu-ray HD. Full-scale, static and animated imagery "come to life" in much greater detail than normally seen on a computer screen.

"The facility provides an effective forum for group discussions and executive reviews that are difficult to do over a 20-inch computer monitor," said Jeff Nowak, Ford Studio 2000X chief designer. "It facilitates the social component of the design process."

Powerwalls have been used in the industry for about 15 years, but recent advances in CGI and HD have revolutionized its usefulness in the design process. Early implementation of the current technology was used in the development of Ford's 2009 model year vehicles.

The technology also has made the review process more compelling and detail-oriented, Nowak said. The photo-realistic computer-rendered images show driving dynamics in realistic lighting, from any angle and in lifelike detail. Colors and reflective surface textures in vehicle interiors can be changed with a click. The animated leather on heated seats appears realistically perforated. And exterior views are equally eye-popping with close-ups of metal-flecked paint reflecting a surrounding cityscape.

"The EDPR is the pinnacle of powerwall technology," said Nowak, adding that Ford's facility is believed to be the most advanced powerwall facility in the industry.

In addition to the EDPR, by year's end Ford will complete PDC's Advanced Visualization Center (AVC), a group of powerwall labs that will enable multiple design teams to use the technology simultaneously. While the EDPR can serve as both a working level digital studio as well as a management presentation space, the AVC will enable teams and individuals to undertake what Nowak calls "nitty-gritty feasibility studies" and component design reviews throughout the product development process.

Ford of Europe also has powerwall facilities at its product development facilities in Dunton, England, and Cologne, Germany, but it doesn't stop there. The same basic technology can be used around the world for market research clinics.

"We want to move away from using physical models for design validation in clinics," said Nowak. "The objective is to be able to walk into a clinic with a laptop to do a full-scale immersive presentation."

Ford Market Research has used powerwall animations at pickup truck clinics in Texas and a sedan clinic in Chicago.

"You can take powerwall presentations around the world, knowing that everyone will see the same thing," said Randall Janisch, Ford Marketing & Sales research manager. "We're better able to control what clinic respondents see and we get more data because more people are able to participate in the allotted time."

Janisch added that powerwall animations are much easier and less expensive to transport than physical properties. Moreover, the clinic participants have responded positively to the presentations.

"When they see these images they can't tell what's real and what's animated," said Janisch.

The digital presentations are not a replacement for physical prototypes, however. Physical models are still more useful for gauging the volume and proportions of a vehicle.

"Thanks to advances in digital design we don't need to build a physical model until later in the PD process, which accelerates product development. And the potential cost savings is enormous," said Horbury.

Businesses Have Designs for the Poor

As anyone who's fallen in love with an iPod or Wii game console can attest to, good product design matters.

It can matter more, in fact, than how many (or what kind) of features are crammed into a device.

Consider the N-Gage game phone that Nokia launched four years ago.

Despite some great features and a global marketing campaign, poor design made the product a highly ridiculed disappointment.

So, given the stakes, it's understandable why top product designers are a hot commodity in the high-tech arena.

But for an increasing number of designers, the stakes are even higher elsewhere: global poverty.

Imagine taking the industrial design smarts behind the iPod and applying it to the far more basic technology needs of the extremely poor.

In the past, few top designers would have bothered. But that's changing.

At MIT, Stanford, and other universities, young design and engineering talents are eagerly enrolling in courses that teach them how to meet the technology needs of the developing world.

Stanford offers a course called "Entrepreneurial Design for Extreme Affordability."

One of the teachers, David Kelley, is the founder of IDEO, the industrial design firm behind such tech classics as the Palm V PDA and the first production mouse for the Lisa and Macintosh computers from Apple.

more: http://edition.cnn.com/2007/BUSINESS/12/19/digital.design/

Aston Martin to Unveil New Design Centre

Luxury car maker Aston Martin will unveil its new design studio in Gaydon on Tuesday, just nine months after the firm was sold by Ford for £479m.

The building is central to Aston's plan to expand production at the Gaydon site under its new owners, a consortium headed by racing guru David Richards.

Chief executive Ulrich Bez wants to raise output from 7,000 cars per year to cut waiting lists.

"I would like to supply cars to customers in a decent time," he says.

more: http://news.bbc.co.uk/1/hi/business/7126796.stm

Design Management Europe Award to Nurus

Design Management Europe Awards, a project of the European Union, have been announced.

From among the 230 companies from 18 countries, Nurus was one of the nominees selected for the award.

Being a worldwide recognized brand with its design management strategy, Nurus has now added another one to its international awards.

Launched with the idea that the contribution of design to commercial success is undervalued, the DME Award aims at strengthening "innovation in design management" through the organization developed by it under the name of ADMIRE under the 6th Framework Project of the European Union.

DME announced at the award ceremony held on November 22 the results of the competition it held this year for the first time to select the best ones of those companies creating difference through their design management strategies.

The competing companies were evaluated under six categories: micro, small, medium and large scale businesses in terms of turnover and the number of employees; non-profit organizations and "newcomers." Nurus, a company in the furniture sector, was nominated by ABIGEM Izmir (the European Union Business Development Center) from Turkey and competed in the "Medium-Scale Businesses" category.

"Nowadays, everybody thinks the keyword is design.

However, at Nurus, the magic word is 'marketing'.

Marketing offers a problem definition to design."

Pantone Selects Color of the Year for 2008

Pantone, the global authority on color and provider of professional color standards for the design industries, selected PANTONE 18-3943 Blue Iris, a beautifully balanced blue-purple, as the color of the year for 2008.

Combining the stable and calming aspects of blue with the mystical and spiritual qualities of purple, Blue Iris satisfies the need for reassurance in a complex world, while adding a hint of mystery and excitement.

"From a color forecasting perspective, we have chosen PANTONE 18-3943 Blue Iris as the color of the year, as it best represents color direction in 2008 for fashion, cosmetics and home products," explains Leatrice Eiseman, executive director of the Pantone Color Institute.

"As a reflection of the times, Blue Iris brings together the dependable aspect of blue, underscored by a strong, soul-searching purple cast.

Emotionally, it is anchoring and meditative with a touch of magic.

Look for it artfully combined with deeper plums, red-browns, yellow-greens, grapes and grays."

GM Dedicates Design Studio to Electric Vehicles

General Motors has launched what it calls the auto industry's first design studio focused exclusively on electric plug-in vehicles.

Its first order of business is getting the Chevrolet Volt on the road by 2010.

The E-Flex Design Studio will employ 45 designers, engineers and scientists to develop vehicles featuring plug-in hybrid technology.

The ambitious program offers the strongest evidence yet that the world's largest automaker is serious about its campaign to improve fuel efficiency, embrace hybrids and develop alternative-fuel vehicles.

"As soon as the project kicked off, I knew we needed a dedicated team focused on the development of the E-Flex-based vehicles and that team needed its own creative space," said Ed Welburn, vice president of global design.

"To accelerate the program, we needed the right mix of designers and engineers from the original car-show team and people with experience from the production side."

The Volt is the centerpiece of GM's green campaign, and industry analysts say it is key to GM's future.

The automaker faces stiff competition from Toyota, and the entire industry is scrambling to figure out how to meet tighter emissions guidelines in Europe and the possibility of tougher fuel-economy standards in the United States.

More: http://www.wired.com/cars/futuretransport/news/2007/12/eflex

FUSE : Brand Identity & Package Design

FUSE: Brand Identity & Package Design, April 16 - 18, 2008 at Pier 60 (Chelsea Piers) in New York City, is an annual gathering uniting top brand strategists, design mavericks and packaging leaders to share radical ideas about fusing strategy and design to drive brand innovation.

The FUSE experience will urge brand design leaders to step up and do something different.

Each year, hundreds of leaders converge at FUSE to advance their brands, businesses, and careers... and to get inspired by our speakers' stories.

Attendees have a diverse set of expertise - graphic design, marketing strategy, brand management, package design, art direction, structural design, consumer insights, and design research.

Industries represented include consumer packaged goods, industrial manufacturing, technology, retail, financial services and health care.

Past speakers at FUSE read like a "who's who" of the brand design world: Philippe Starck; Rem Koolhaas; Daniel Libeskind, Milton Glaser; Karim Rashid; Mary Lewis; Bruce Mau; Mirko Ilic; John Maeda; Clement Mok; Stefan Sagmeister; Paula Scher; Michael Bierut; Virginia Postrel, Author of "The Substance of Style"; Minda Gralnek of Target; Alex Lee of OXO; Eric Ryan of Method; Claudia Kotchka of Procter & Gamble; Stanley Hainsworth of Starbucks; and Jeffrey Keyton of MTV.

Annual Webby Awards

The Webby Awards is the leading international award honoring excellence on the Internet.

Established in 1996 during the Web's infancy, the Webbys are presented by The International Academy of Digital Arts and Sciences, a 550-member body of leading Web experts, business figures, luminaries, visionaries and creative celebrities.

Join the ranks of the Web's best and brightest, making you - and your work - an industry leader.

The Webby Award Competition is open to all organizations and individuals involved in designing, building, managing, maintaining, marketing or promoting Websites, Interactive Advertising, Online Film & Video, and Mobile content for business, consumer or general audiences.

Entries must have been in general use for at least part of the current calendar year.

Entries do not, however, need to have been created this year.

more  www.webbyawards.com...

Vancouver 2010 Mascots Introduced to the World

Months of mystery and anticipation finally ended today as hundreds of local schoolchildren were the first to personally meet Miga, Quatchi and Sumi, the mascots for the Vancouver 2010 Olympic and Paralympic Winter Games.

More than 800 schoolchildren from grades three to five filled the Bell Performing Arts Centre in Surrey, BC today to witness three enchanting characters emerge from the mists of a magical West Coast setting of gigantic trees, soaring mountains and a restless ocean, to take their place in history as cherished personalities of the 2010 Winter Games.

Designed by the Vancouver-based company Meomi Design, Miga, Quatchi and Sumi were inspired by local Aboriginal mythological creatures and also strongly influenced by popular culture, modern animation styles, the Olympic and Paralympic Movements, the culture and wildlife of British Columbia and Canada, and the artists' own imagination.

Each of the creatures is unique, both in personality and physical appearance.

Buck animated the short.

more  www.vancouver2010.com/mascot/en/m...

New Fiat Fiorino Van Revealed

Fiat has released details on its new Fiorino compact transport van, an important vehicle for the company because the Europeans have to get their crepes and bagels from the bakery to the restaurant somehow. Designed in cahoots with Peugeot-Citroen, the Fiorino will scoot about courtesy of a 1.4L gas engine producing 73 horsepower or a 75 horsepower 1.3L Multijet Turbodiesel. So that delivery drivers and maintenance crews stay comfortable on their long trips, the vehicle will include a climate control system with both temperature and humidity control, as well as a rapid de-misting system. Press release below the jump.

Fiat Fiorino

To meet the latest demands in urban goods transport, Fiat Professional presents the new Fiorino, the newest addition to its new-look range that is expected to achieve great things over the next few years.

Developed from a joint venture between Fiat and PSA, this original commercial vehicle is produced at the Tofas plant in Bursa, Turkey, and will be sold in 80 countries worldwide from the end of this year. It has now been presented in the cargo version, while the passenger versions will also be launched next year.

The new Fiorino combines performance, good handling and the type of comfort you would expect from a car with the capacity, ease of loading, reliability and value for money you would expect from a commercial vehicle. It is the perfect solution for people who have to spend long hours driving or need to make deliveries, such as craftsmen, maintenance workers, service companies and couriers.

The design is based on an innovative idea: to create a vehicle whose external dimensions are more compact than those of commercial vehicles in the 1B "small van" segment, but that is equally spacious and functional, inexpensive to run and attractively priced. With an original, dynamic style, the Fiat Fiorino is 3.86 metres long, 1.72 m high and 1.71 m wide. Thanks to these compact external dimensions it can handle any city centre with ease, partly because of its turning circle of just 9.95 metres.

It has a sturdy front end with a distinctive personality, blending harmoniously into the rear section with square lines that accentuate the idea of a solid, robust vehicle. The van also has a large cargo bed and is easy to load. The racy lateral lines make for very dynamic styling (the panel versions have completely smooth sides, ideal for customising with advertising stickers). The large, rounded bumpers and side strips ensure maximum protection for the vehicle, especially against impacts at low speed.

Particular attention has been devoted to the loading area, with a volume of 2.5 cubic metres (2.8 if the passenger seat is folded down). The internal length is over 1.5 metres (almost 2.5 m with the passenger seat folded down): amazing, if we consider that the vehicle's external length is less than 3.9 metres. With a load capacity of up to 610 kg (including the driver), the new Fiorino is a revolution in the small van segment. Loading and unloading is made easier with a very low loading sill (527 mm), sliding side doors and very large double doors at the rear. The Fiorino also features six practical rings to secure goods during transport, as well as partitions to protect the driver from loads spilling over into the cab.

The same attention to detail has been devotedto the cab, which is light, comfortable and has a driving position similar to a car, to keep the driver in top form behind the wheel. There is also lots of space to store personal effects, in drawers, compartments and shelves. Everything has been designed with a great emphasis on ergonomics, acoustic comfort, temperature and vibration control. It is well-known that onboard comfort is a priority for drivers of commercial vehicles, who spend long hours at the wheel, often in demanding conditions.

For example, the driving seat is both comfortable and practical thanks to the symmetrical, modular "T" shaped dashboard - so that the controls and elaborate instrument panel are always within easy reach. Driving comfort also means having a climate control system that maintains the right temperature and humidity inside the vehicle, capable of rapid de-misting (thanks to no fewer than eight vents with an airflow capacity of 400 m3 per hour). Still on the theme of onboard comfort, the new Fiorino also has a modern audio-telematic system consisting of a car radio with CD or Mp3 player, a stereo system with four loudspeakers, and Bluetooth hands-free kit.

The new Fiorino is also synonymous with efficiency and productivity. For the customer, this translates into very low running costs (fuel consumption, servicing intervals and repair costs), and excellent pickup and elasticity at low speeds even with a full load - thanks to the two Euro 4-compliant engines: the 1.4 petrol engine (73 bhp) and the turbodiesel 1.3 Multijet (75 bhp).

Combined with a manual 5-speed or an automatic 6-speed gear box, the 1.3 Multijet represents a real technological advance. In practical terms, this means reduced consumption (4.5 l per 100 km in the combined cycle, which translates into 1000 km travelled on a full tank); emissions (the CO2 value is just 119 g per km, and a particulate filter will also be available early in 2008); improved noise level (thanks to multi-injection); reduced vibration and excellent performance (top speed 157 km/h).

When it comes to safety, the new Fiorino is at the top of its class. This can be seen, for example, in the bodyshell with differential stiffness, the powerful, effective braking system, the ABS complete with EBD, the 3-point seatbelts with pre-tensioner and load limiter, the hydraulic power steering and driver's airbag (passenger airbags, side airbags and rear parking sensors are available on request).

The new Fiorino is dynamic to drive and has excellent roadhold: mostly thanks to the reliable, extensively-tested suspension system (Mc Pherson independent wheel suspension at the front and torsion bar suspension at the rear) and the high torsional stiffness of the body: 133,000 Nm/rad on the final vehicle (body, windscreen, front doors, and hinged doors with no sliding side doors). Last but not least, to protect the load against the possibility of theft, the new van has separate locking of front and rear doors (so the loading compartment can be used even when the cab is closed) and a deadlock, the central locking system that protects against attempted break-ins by disabling the door handle and lock mechanisms.

The extensive and varied range of new Fiorino Cargo vans is available in two trim levels (basic and SX), ten colours - not to mention a long list of non-standard colours mainly destined for specific clients - two types of upholstery and no fewer than nine body configurations with single, double or no sliding doors, panel or glazed sides and asymmetrical double rear doors (60/40) also available in panel or glazed versions. Not forgetting that specialised converters can transform the new Fiorino in various ways, by adding refrigeration units, mobile workshops etc.

Finally, early in 2008 a special new version will be launched - the Adventure - expanding the versatility of the Fiorino Cargo. Not only is the Fiorino eminently suited to urban environments, but now there will also be a series designed specifically for use in rural areas or driving on rough or unsurfaced roads (building sides, construction of roads and railways etc.). The Fiorino Cargo Adventure has raised suspension, 15" tyres, an engine guard built into the front bumpers and more extensive bodywork protection.

In tandem with this, the Combi range will be launched, designed for passenger or cargo transport (up to 5 passengers plus 270 kg). Two models will be available (Combi and Combi Adventure). A direct descendant of the Cargo family, the Combi offer is designed for specific applications and customers, combining comfort and style with convenience and rationality. The strengths of this model are its linear finish and extremely versatile rear compartment, perfect for mixed use (transporting teams of workers, tools and materials, or materials only). The 3-seater rear bench can also be folded down, packaged up and even removed, giving the Combi almost the same capacity as the Cargo. The "Adventure" package is also available for the Combi range, with the same aesthetic and mechanical features as the Cargo Adventure. All this makes the Combi Adventure perfect for the most arduous, difficult jobs such as driving on building sites, in rural areas or in areas with rough or unsurfaced roads.

Both versions of the Combi can also be supplied with category N1 certification (4 people + 338 kg), which can be useful for tax concessions, depending on the country. [Fiat via World Car Fans]

RhinoFX Opens Connecticut Office to Support Film Effects Efforts


RhinoFX announces the opening of a Connecticut office dedicated to supporting feature film and video game effects. The new location offers 30% tax credits for all clients while creating additional capabilities such as cutting-edge technology with total integration with the New York office for features, spots and the video game industry.

Discussing the impact on rhinofx's film business, SVP Camille Geier said, "We've been working toward this goal for quite some time. Having been at ILM for many years, I understand the importance of increasing our internal bandwidth to make us better able to work on bigger and bigger projects worldwide. We've sharpened our teeth on VFX work for the Sopranos, Sex and the City, and have been involved in animation tests for several studio features - so we're more than ready for the challenge." The feature film office wasted no time getting to work, landing a huge Dreamworks/Paramount venture, presently shooting with visual effects work beginning in January. The project, Ghost Town, is written and directed by David Koepp, the award-winning writer of action blockbusters Spiderman, Jurassic Park, and Mission: Impossible. Rhinofx is the sole VFX company involved in production of the romantic comedy to be released August 2008. VFX CD/Director Arman Matin will head the effects team for Ghost Town.

Karin Levinson, rhinofx's VP of Features, has been instrumental in the company's film expansionary efforts. Levinson notes, "We wanted to offer our clients tax-advantaged solutions that enable quality work for a lower cost without compromising the directors' visions. This applies to all future projects as well. With the thirty percent tax incentives offered by the state of Connecticut, as well the access to rhinofx's top artistic talent, our film outlet represents a powerful alternative to top west coast VFX shops and outsourcing outside the US." Both offices will remain completely technologically linked, maintaining unity and client accessibility, but allowing the company to focus wholeheartedly in film effects production.

Rhinofx's recent film successes include the highly intricate opening sequence for Revolution Studios Perfect Stranger, and all the visual effects for The Nanny Diaries, a production of The Weinstein Company. Showcasing their ability in video game cinematics, they also completed the fourth in a series of multi-platform, high action adventure sequences of Ruby, AMD's global branding icon. The new offices in Connecticut will help to support rhinofx's growth in both size and capabilities for film and video game effects.

Widescreen Issue 2 Now Available From Brandwidth

Following the recent evolution of their identity, Brandwidth have launched the second issue of "Widescreen" magazine.

The PDF is now ready for download from the Team page of their website.

A heady mix of client-related stories from Lexus, Toyota, Guinness World Records, Blue Square and GSMA plus additional design, technical and marketing news all mix quality creative, challenging typography and compelling copy.

Widescreen is published quarterly with the next issue scheduled for release in February 2008.

more www.brandwidth.co.uk

D&AD Exhibition : the Best Design and Advertising in the World

D&AD exhibition "The Best Design and Advertising in the World" at Urbis showcases the best of the nominated work from The D&AD Awards 2007.

The exhibition highlights the important role design and advertising can play in raising awareness of societal issues such as health, children's welfare and war.

more www.urbis.org.uk

Futurism & Sport Design

Futurism was the first cultural and artistic movement of the twentieth century to examine the emerging phenomenon of Sport, in which it recognised the very essence of all that was modern.

The Futurists were the first to create a new aesthetic for disciplines such as football, tennis, cycling, motorcycling and skiing.

However their research was not limited to the visual arts, covering the applied arts of fashion, design and graphics which they considered to be equally important.

Using a rich body of iconographic sources, the Futurism & Sport Design project aims to understand the pioneering and radical contribution that this mainly Italian movement brought to creativity in sport design.

At the same time, it highlights its continuing influence today.

more www.montebellunadistrict.com/notizie_...

Results of the UNESCO Urban Design Workshop

Widening the boundaries of Place d'Armes, connecting it to underground passages, revealing four centuries of history, creating an open space on a human scale, highlighting the architectural diversity surrounding the Place These are some features of the daring, inventive proposals submitted by the three teams of renowned designers from Montreal, Berlin and Buenos Aires invited to take part in the recent "Imaginer la place d'Armes" UNESCO Urban Design Workshop.

"Place d'Armes is the gateway to Old Montreal and draws attention to the built heritage surrounding it, such as the Notre-Dame Basilica and the Aldred Building. It is deserving of a high-quality development worthy of its value as an emblematic public space," said Christine St-Pierre, Quebec Minister of Culture, Communications and the Status of Women. "The proposals put forward by the three design teams offer fascinating perspectives and demonstrate that quality design and the vital input of creative professionals are important components of urban planning. I thank all the members of the three teams for their contributions to this think-tank exercise."

For his part, Andre Lavallee, City of Montreal Executive Committee Member Responsible for Urban Planning and Transportation, declared: "I am extremely proud of the quality of the proposals submitted by the three design teams. The challenge they met together was daunting, because they had to take a new, enlightened view of Place d'Armes, which for centuries has been one of the city's liveliest and busiest gathering places."

Designism : Design for Social Change

Art Directors Club announces the 2nd annual evening of Designism: Design for Social Change.

Immerse yourself in design activism during a half-day event at the ADC with presentations from Milton Glaser, Steven Heller, Elizabeth Resnick, Ji Lee, Tony Hendra, and others.

Last year, the Art Directors Club launched Designism to explore how creativity could play a role in shaping our world.

Could creatives become instruments for social and political change?

The undeniable takeaway from the original Designism was the strong desire among participants to make a difference.

more www.adcglobal.org/adc/events/calendar...

European Design Awards : Call for Entry 2008

The European Design Awards is the comprehensive annual awards organization acknowledging the best of graphic design, illustration and multimedia design in Europe.

The jury is composed of representatives from prestigious communication design magazines from across Europe.

Submission deadline is February 15, 2008.

more www.ed-awards.com/...

IDEA 2008 : The Industrial Design Excellence Awards

Dec. 3 marks the opening of the 2008 International Design Excellence Awards.

Designs for practically anything may be entered.

The subcategories range in scope from small desk accessories to giant mechanical equipment.

If your entry doesn't fit into the category you have selected it will be recategorized.

Students must enter in the Student category.

The Industrial Design Excellence Awards (IDEA) are dedicated to fostering business and public understanding of the importance of industrial design excellence to the quality of life and the economy and showcase the best industrial design from across the US and around the world.

Winning the IDEA is a distinction like no other that brands your design as the very best in the business, among your peers, among your clients, among consumers around the world.

Winning entries will receive press coverage in BusinessWeek magazine and businessweek.com as well as in hundreds of newspapers and networks, including CNN, NBC, PBS, CNBC, The New York Times, The Los Angeles Times, The Washington Post and the general design press.

Application deadline is March 7, 2008.

Volvo Sports Design Award 2008 : EcoDesign

For the fourth year running, the VOLVO Car Corporation Gothenburg is staging the VOLVO SportsDesign AWARD in cooperation with ispo, the international sports goods trade fair set to take place in Munich from January 27-30, 2008 . The theme of ispo winter 08 is EcoDesign: Form Follows Sustainability .

In this time of climate change and efforts to protect our global resources, sustainability in design is a more vital topic than ever. Environmental issues and the availability of resources are changing the way we design, the materials we choose and the manufacturing strategies we adopt. With every passing day, these concerns become more relevant to companies and customers alike.

"There's no business to be done on a dead planet!" This forward-thinking statement voiced by Patagonia Vice President Rick Ridgeway at the VOLVO SportsDesign FORUM 2007 illustrates just how important it is to push forward on issues such as sustainable development and the production of goods and services in a manner that is both environmentally and socially aware. Bringing together ecology, economy and social factors is one of the great challenges of our day: Tomorrow's products must be designed and produced in a way that is health-conscious, longlasting, reparable, re-usable, easy to dismantle, recyclable and discardable without causing harm.

That's why "EcoDesign: Form Follows Sustainability" is the theme for the VOLVO SportsDesign Award 2008. Now in its fourth year, the award honors top-notch design concepts and new, future-oriented ideas following a common goal: the development of an approach to SportsDesign that is as eco- and resource-friendly as it is cutting-edge and functional.

Eligible participants include members of the sporting goods industry, designers and students in the following categories: ski equipment, outdoor equipment, apparel, wheelers, accessories and concepts. The jury presents awards and distinctions in all six major categories and will also issue a special prize for students.

Special Prize for Young Designers and Material Developers
The Concepts category is open exclusively to students and young designers in their first two years of professional work. It's a platform for outstanding and innovative concepts; entries for the €5,000 prize may be turned in as prototypes or drawings.

And for the first time, designers, industry players and developers will compete for a prize in the category Material Technology / Radical Solutions for a concept that brings together environmentally sustainable or new materials with the demands of EcoDesign.

The Categories
1 . Ski Equipment (skis, ski boots, ski bindings, ski accessories, etc)
2 . Board equipment (snowboards, surfboards, kiteboards, boots, bindings, boardaccessories, etc)
3 . Outdoor equipment (climbing hardware and gear, backpacks, footwear and equipment for trekking, running, Nordic sports, etc)
4 . Apparel (jackets, pants, shorts, shirts, etc)
5 . Wheelers (bikes, skateboards, inline skates, electronic vehicles and all variants)
6 . Accessories (helmets and hats, glasses and goggles, gloves, protection accessories, watches, electronic devices, bags, etc)
7 . Concepts (students only)
8 . Special Category Material Technology / Radical Solutions

International Jury for the Volvo SportsDesign Award 2008 EcoDesign
In January 2008, the special independent jury will gather in private - along with experts from the fields of science, industry, design and sports - to pick their favorites. The jury's criteria are functionality, graphic composition, innovation, ergonomics, form and fabrication. Regarding ecological and sustainable design, the jury will be considering each product's materials, production, distribution, lifecycle, re-usability and its application.

Winning entries will be showcased at a specially designed exhibition at the VOLVO SportsDesign FORUM in Munich on January 1, 2008 as part of the ispo sports goods fair.

And the VOLVO SportsDesign AWARD 2008 goes to...
On January 29, 2008, winners will be honored at a special award ceremony as part of the VOLVO SportsDesign FORUM. Handpicked guests will be drawn from the fields of design, sports, economy, science, environment and the media as well as participants and speakers from the VOLVO SportsDesign FORUM. Tickets for the event at ICM in Munich on January 29, 2008, are available online at http://www.ispo-sportsdesign.com

Every winner will receive a specially designed award sculpture on the occasion of ispo winter 08 and ispo sport & style 08. Each winning product will also be featured in a two-page spread in the VOLVO SportsDesign Award Yearbook.

All nominees will also be showcased during the 2008 Beijing Olympics.

In January 2005, the VOLVO Car Corporation Gothenburg and ispo Munich, the world's largest sports goods and fashion fair, brought to life the VOLVO SportsDesign AWARD. The competition honors outstanding sports products with an innovative edge or notable design. The VOLVO SportsDesign AWARD has become one of the most sought-after distinctions for industry representatives, designers and students.

2008 SDC Colour Innovation Award

Innovative products and innovative ways of thinking are imperative to driving markets forward.

With this in mind, the Society is pleased to launch the 2008 Colour Innovation Award - open to entries that break new ground and alter the way in which people think, act, use and respond to colour.

What do we mean by innovation? It can be anything that demonstrates a novel and distinct use of colour; introduces a new colour process; adds to our knowledge of colour; improves the performance of colour; is environmentally conscious; challenges existing conventions; solves a key problem; etc.

The judges will be looking for a unique contribution to colour.

Any company, educational establishment or other organisation with a qualifying innovation introduced between 1 January 2000 and 31 December 2007 can enter.

In addition to a specially commissioned trophy, a prize of £1500 is on offer plus two years' free membership of the Society's Patron Supporter Scheme.

Deadline for submissions is 31 January 2008.

The five finalists will be notified by 29 February 2008 and the winner will be announced at the Society's Day of Celebration in April 2008.

Details of the finalists' entries will be on display during the course of the evening.

Source: www.sdc...

New Yahoo Widget Engine coming soon

On Wednesday or Thursday, Yahoo is going to revamp its directory of desktop widgets for the Yahoo Widget Engine. This is warm-up for a new version of the Engine itself, Yahoo Widget Engine 4.5, that arrives the week of November 27.

End users won't see much that's new in the Engine itself, but they'll see a shift in how it is pitched. The new directory should be easier to navigate and more approachable. Yahoo, instead of trying to sell end-users on the Engine and then pushing the widgets, will instead begin to pitch the utility and entertainment values of the widgets primarily, and aim to slip the download and installation of the Engine onto their coattails.

The strategy makes sense for the product and for consumers, many of whom have a widget engine of some sort on their computers already -- Windows Vista and Apple's OS X both run desktop gadgets. Adobe's AIR platform is also impinging on Yahoo's engine.

Later this year, Yahoo will begin to push widgets on various mega-sites that it runs, which will be necessary to get the engine onto enough desktops so that developers are attracted to working in it.

Speaking of developers, Yahoo's SVP of Widgets, Jonathan Strauss, in a frustratingly elliptical interview, let on that the new Engine will have "new ways to exploit the power of the desktop." He was referring to new tools for creating widgets. I think the best thing Yahoo could do would be to make it possible to use Yahoo Pipes as a development platform for Widgets, but Strauss told me I "might be reading too much into" his statements.

I like the Yahoo Widget Engine, but it is product from a previous era -- before Vista and its Sidebar, Google Gadgets, OS X Gadgets, Netvibes' Universal Widget Architecture, and Adobe AIR. I don't think running a discrete, desktop-only widget engine is a solid business today. Fortunately, another thing we'll hear about in a few weeks is Yahoo's plans for widgets on platforms other than the desktop -- the browser and mobile devices. We might see a Yahoo partnership announcement with Web widget platform ClearSpring. It would make sense. The two companies' platforms are complimentary. Also, Strauss told me he went to college with ClearSpring CEO Hooman Rafdar. Putting their products together could be a happy reunion.

Adobe: Online Photoshop coming this year

MONTEREY, Calif.--Adobe Systems has committed to shipping a beta version of its online image-editing tool, Photoshop Express , this year, and said it will be complete in 2008.

"By late this year, we anticipate having a beta version," said John Loiacono, senior vice president for Adobe Creative Solutions, speaking at the 6sight digital imaging conference here. And next year, the online service will be "available to anyone," he said.

Loiacono showed Photoshop Express running on an Adobe server connected over the Internet, he said. But when the average person experiences the software, it likely will be through partners such as Shutterfly or Photobucket , he said.

Unsurprisingly, Loiacono left unmentioned Flickr, which said in October it will use Picnik's online photo-editing tools .

Photoshop Express is a profoundly important project, and Adobe's schedule indicates that its repercussions are near-term and not academic.

For Adobe, the project is the spearhead of a transformation from a seller of boxed software to a provider of services in an increasingly rich Internet experience. And for the industry overall, it signals that Internet technology is maturing enough that companies are willing risk extending the brand of respected PC software to the network.

Photoshop Express, as its name suggests, isn't a full-fledged version of Photoshop proper or even of its hobbyist-oriented sibling, Photoshop Elements . The intent is to reach a much larger audience than the company currently reaches with its higher-end boxed software products.

qwe

This sports car used to be red.

(Credit: Stephen Shankland/CNET Networks)

A look at Photoshop Express
Loiacono demonstrated several features of Photoshop Express, hampered only fleetingly by a couple Flash error messages. He selected photos to edit from a group, removed red-eye, cropped, adjusted color tones, used a healing brush to erase a skin blemish, and replaced the color of a red sports car with various other hues.

The demonstration showed the relatively limited set of features available in Photoshop Express. There were three top-level menu options: quick fix, tuning, and fun.

"Fun" options include replace color, which Loiacono showed to change a red sports car into blue, purple and green. Other options are huge, black-and-white, distort, sketch, and tint.

"Quick fix" options were crop and rotate, blemish removal, red-eye removal, auto correct, and sharpen. Tuning options were white balance, exposure, highlight, fill light, saturation, and soft focus.

qwe

Photoshop Express offers a blemish-fixing tool similar to full-fledged Photoshop's healing brush.

(Credit: Stephen Shankland/CNET Networks)

If you want another look, my comrade Martin LaMonica--who had the online Photoshop scoop in February --last month posted a video of an earlier Photoshop Express demonstration .

Computational photography
Loiacono also offered a glimpse into what Adobe and others call computational photography--the achieving through the combination of photography and computers what can't be achieved with either alone.

With digital cameras, some computation already happens in cameras themselves, but Loiacono predicted more.

For example, today people can combine two photos that are exposed differently--one for a subject in the foreground illuminated by a flash and another with natural light in the background. Merging those two photos could happen earlier in the process so people don't have to futz with processing the photos afterward, he said.

"What we're moving to is an environment when your camera will be able to take two shots, process them in the camera, and give you the desirable output," Loiacono said.

He also demonstrated a video variation of stitching still images together into a single panorama. A video taken panning across a view of an African waterfall was converted into a wide panoramic pan of the same waterfall, with the water flowing across the full scene even though it was taken from different frames of the video.

He also showed a view of Adobe's light-field camera work, which processes multiple images taken simultaneously so the computer can effectively construct a three-dimensional model of the scene .

Asus To Introduce EEE PC Desktop Next Year

Asus who has recently tasted success with its EEE PC based small laptop, has now indicated that it will be introducing a desktop version of its small Linux-based laptop. This revelation came from Jonathan Tseng, Asus' President of Marketing who told Digitimes that the company intends to get the new mini-machine into shops by sometime next year. He went on to add that the new desktop unit will not have a viewing unit (monitor) and that price and specifications are yet to be decided.

This announcement raises a number of interesting questions. Though Asus managed to make a success of its mini laptop, the desktop market is an entirely different beast. For starters, the processing power available in comparison is far more than that available in budget laptops. Secondly this is not a new idea. Quite a few manufacturers like Shuttle and Apple itself have been retailing SFF PCs for quite a few years. Keeping these factors in mind, it's going to be difficult for Asus to penetrate this market.

2008 IAC Awards Call for Entries

The Web Marketing Association announces the launched of its sixth annual Internet Advertising Competition (IAC) Awards. The IAC Awards are the first and only industry-based advertising award competition dedicated exclusively to online advertising. The Competition Web site is located at www.iacaward.org and the deadline for entry is January 31, 2008

The Internet Advertising Competition Awards are open to all organizations and individuals (advertising and interactive agencies, corporate marketing departments, etc.) involved in the process of developing Internet advertising. Entries may be submitted online at www.iacaward.org. The deadline for entry is January 31, 2008 and will be judged on creativity, innovation, impact, design, copywriting, and use of the medium.

Awards will be presented within each of the industry categories and advertising formats such as:

online ad (including banner, pop-up or interstitial)
rich media online ad
email message
online newsletter campaign
microsite/landing page
integrated ad campaign
ads the client did not choose

Best of show award for each medium will be selected from among the industry winners. Ads eligible for entry in the competition must have run during the period from January 1, 2007 through January 31, 2008.

Judging for the IAC Awards will take place in February, 2007, and winners will be notified by e-mail one week prior to the general announcement of winners in March, 2008. Judges will consist of a select group of Internet advertising professionals with an in-depth understanding of the current state-of-the-art in Web advertising. Past competition judges have included top executives from leading corporations, institutions and media organizations such as Ogilvy Interactive, Saatchi & Saatchi, Blattner Brunner, Comedy Central, Sun Microsystems, National Cable & Telecom Association, Refinery, Euro RSCG, EPB Interactive, New York Post Interactive, The Cincinnati Enquirer, J. Walter Thompson, Xerox, Art Institute of Pittsburgh, Modem Media, and Answerthink.

For a complete list of past wiiners, please go to www.iacaward.org

Are you going to be the next winner? Now is the time to find out. Enter your best online advertising into the 2008 IAC Awards and win the recognition you deserve! Enter today at www.iacaward.org

ADC Design Sphere Award

The new ADC Design Sphere Award will honor the most outstanding body of work featuring design innovation in a sustained program of design for a single client by a single design firm.

The winner of the ADC Design Sphere Award will set the standard for excellence in design communications.

This award will be given to design solutions that combine and convey brand relevance with consistent, impactful and emotional connections across a variety of touch points and will also inspire the next generation of designers.

Entries need to be time bound.

Chairing the new ADC Design Sphere Award Jury for the 87th Annual Awards is Marc Gobé, Chairman, Chief Executive Officer and Executive Creative Director of DesGrippes Gobé, a thirty-year design and branding consultancy with offices around the world in New York, Paris, Brussels, Shanghai, Hong Kong, Seoul and Tokyo.

"With Gobé at the helm, the inaugural ADC Design Sphere Jury will seek out a body of work that synthesizes strategic insight into creative executions that are viscerally distinct and compelling ­ and that, when viewed collectively, represent some of the most successful initiatives in the world," says Ami Brophy, Executive Director of ADC.

ADC Design Sphere entries will be separated into two categories - General and Non-Profit.

The jury will evaluate work submitted by design firms from around the world.

What Should I Charge? : Smart Pricing Strategies for Designers

Are you charging enough?

Worried that clients think it's too much?

Do you dread every financial conversation you have with a new prospect?

Relax. There are ways you can comfortably, professionally talk dollars and cents.

Join the How Webinar at November 15 for What Should I Charge?, presented by Ilise Benun and Peleg Top of Marketing Mentor, and you'll learn how to estimate a project in less than 20 minutes, get clients to divulge their budgets, and-most importantly - talk about money matters with confidence.

Colour: Design & Creativity

The inaugural issue of Colour: Design & Creativity, officially launched today at an event in London, is now online.

This first issue is representative of the aims of the journal: items that blend elements of science, technology, art, crafts, psychology and commerce.

Colour: Design & Creativity, the new online journal from the Society of Dyers and Colourists (SDC), is intended to serve a gap in the marketplace by appealing to a multidisciplinary audience seeking a better understanding of colour and its application in design, theory and practice.

In particular the journal will emphasise the synergy between colour and design, as opposed to their individual importance.

Among the topics covered in the inaugural issue are colour and emotions, analysis of colours in branding, design concepts using thermochromic colour change, colour forecasting and preference in the fashion industry, and an article that describes what the author calls "a new colour form".

Louis Simeone Wins National Design Award from Graphic Design USA

Illustrator Louis Simeone has recently been awarded the prestigious American Graphic Design Award in the 2007 Graphic Design:usa competition.

The logo Simeone created for his online gallery site, samalou.com, was among the winning entries selected from a remarkable 10,000 entries nationwide.

Simeone's award winning logo will be published in the Graphic Design:usa Design Annual scheduled to be released in December.

Louis Simeone is a professional illustrator known for his vibrant, energetic and oftentimes humorous imagery.

He brings a dynamic flair to his illustration work through his fluid use of line and skillful handling of color.

Bak Magazine 10

10th issue of the international visual arts e-magazine is online.

Special interviews with 10 talented artists; Kent Williams, Heimo Schmidt, Bernd Preiml, Quentin Shih, Emil Kozak, Zena Holloway, Mike Harrison, Nicoletta Ceccoli, Nelson Balaban and Sharad Haksar will accompany readers during their 10th Bak journeys.

Next theme of the Bak Magazine is "Contrast" and the submission deadline is December 20, 2007.

Ramp Creative Letterhead is Honored by Graphis

Los Angeles-based design studio Ramp Creative won two gold awards in the Graphis Letterhead7 competition.

The bi-annual international design competition evaluates identity systems design and publishes winners in a large volume known in the industry as the most comprehensive resource in letterhead design.

The publication Graphis Letterhead7 will be available in December 2007.

Ramp Creative stationery and the Casablanca International Events stationery systems were both honored in the competition.

"An effective company identity system solves many functions within an organization.

A well-designed stationery system has a strong visual presence and is easy to use.

It solves communication needs in correspondence, marketing, sales and press," said Rachel Elnar, Partner at Ramp Creative.

"We design letterhead systems to express a company's values through its form and function."

Visible Theory Wins Four 2007 American Graphic Design Awards

Visible Theory, a full service graphic design firm, has been selected by a nationwide panel of judges as a multiple winner in the 2007 American Graphic Design Awards, honoring excellence in communication and graphic design.

For over three decades, the awards program, sponsored by Graphic Design USA, has acknowledged the outstanding work of creative professionals. This is the fourth consecutive year that Visible Theory has been acknowledged by this prestigious awards program.

Visible Theory was recognized for: Web Site Design & Development: DH Krahn Gin; Web Site Design & Development: Baxter of California; Web Site Design & Development: Visible Theory and Branding & POS Material Design: DH Krahn Gin.

Visible Theory's winning projects will be featured in the December Annual issue of Graphic Design USA magazine.

Gottschalk+Ash International, Unveils a Unique, Glass Signage System

As the fifth largest museum in North America, the Royal Ontario Museum (ROM) and the collections displayed within are world-renowned.

The expansive museum space was recently transformed when celebrated architect Daniel Libeskind's addition, aptly named the Crystal, was opened this summer.

An important objective of the redesign of the ROM has been to create a wondrous and delightful visitors' experience.

Understanding that signage is an important component of this experience, the ROM enlisted the services of the renowned design firm, Gottschalk+Ash International to develop a wayfinding system that would contribute to this objective.

G+A's solution was to create an environmental design program that is functional and clear, yet maintaining an elegance that would contribute to the unique architecture of the ROM.

Two key issues were at the forefront.

The first was to link very separate and distinct architectural styles.

Design director, Udo Schliemann solved this by introducing glass as the primary material.

Intuitively, Schliemann understood that glass is a material that is elegant and forgiving and would blend well with the many backgrounds of the museum.

His choice was also influenced by the already existing presence of glass in the architecture of the ROM (such as the casings), adding consistency to the result.

The outcome is a system that aesthetically fits perfectly within two styles.

More:
Gottschalk+Ash International, Unveils a Unique, Glass Signage System

Design a Truck Contest

FREITAG announces an international contest for designing truck tarpaulins.

The best tarp design will be selected and awarded by a jury made up of well-known designers.

In 2008 the winning tarpaulin will be fitted onto one of the trucks from our longstanding partner, the Swiss transport company PLANZER.

The designer tarpaulin will spend five years hard at work on the roads.

Thereafter the well-worn winning tarpaulin will be carefully cut to pieces to end up as special edition bags.

The drafts must be submitted as PDF files by 31.01.2008.

First prize is 2.000 Euros in cash.

The winning tarpaulin will be printed and visible on a truck for 365 days a year on a trans-regional basis far beyond protective museum walls.

Colour: Design & Creativity

The inaugural issue of Colour: Design & Creativity, officially launched today at an event in London, is now online.

This first issue is representative of the aims of the journal: items that blend elements of science, technology, art, crafts, psychology and commerce.

Colour: Design & Creativity, the new online journal from the Society of Dyers and Colourists (SDC), is intended to serve a gap in the marketplace by appealing to a multidisciplinary audience seeking a better understanding of colour and its application in design, theory and practice.

In particular the journal will emphasise the synergy between colour and design, as opposed to their individual importance.

Among the topics covered in the inaugural issue are colour and emotions, analysis of colours in branding, design concepts using thermochromic colour change, colour forecasting and preference in the fashion industry, and an article that describes what the author calls "a new colour form".

Source: www.colour-journal.org/2007/1/071cont...

Hoet on Showcase at SILMO

Hoet Design Studio will be participating for the first time in the international optics fair SILMO in Paris.

In addition to the Hoet furniture collection and designing optics shops, the creative studio also designs a series of accessories that fit in with the world of optics: mirrors, displays, jewellery and more.

As a design studio for THEO eye-wear the link between Hoet and the world of optics was established quite quickly, not to mention very naturally.

During his entire career, founder Patrick Hoet has been active in the optics sector, first as an optician and later as a designer of eyeglass fashion.

Hoet is acquainted with all aspects of this world and he is aware of the special needs of an optician.

Together with his team he develops accessories, eyeglasses and design furniture.

The new collection consists of a number of "handy" little mirrors that can be placed on sales counters and used comfortably.

The collection also contains jewellery in various forms that are inspired by a lace pattern, a wall mirror and an original cap with a tinted lens fixed to it.

By using the channel of the optics fair Hoet would also like to promote his services in the area of interior design.

Source: www.hoet.eu/...

New Work by New York Sculptor Forrest Myers at Friedman Benda

Friedman Benda, the new venue designed to showcase innovative established and emerging designers and artists, will feature sculptural works by groundbreaking New York-based artist Forrest Myers.

The exhibition will focus on recent sculptural wire works that merge form and function.

It will be on view from November 8 - December 20, 2007 and will open with a reception on November 7 at Friedman Benda, located at 515 West 26th Street.

Known for his pioneering work with industrial materials such as woven wire and bent pipe, "Myers has been at the forefront of contemporary art practice for over 40 years," says gallery director Marc Benda.

The exhibition will focus on his experimentation with the sculptural possibilities of furniture, a topic that has been the focus of his work for the past two decades.

While some of his art-furniture sculptures are usable, the functionality is abstracted and deconstructed to emphasize the interplay of material, form, and color.

Inspired by the forms created by the wire armatures used to provide internal support for glass or ceramic sculptural works, Myers began to create metal pipe sculptures in the 1970s.

These volumetric "drawings" were initially abstract, however he soon began experiment with the sculptural possibilities of furniture.

Myers' twists stainless steel pipes into halogen lamps, and shapes stools from masses of densely woven aluminum wire, anodized in colors such as fuchsia, gold, and cerulean.

More: New Work by New York Sculptor Forrest Myers at Friedman Benda

Mrs. K Hunts Down Gasket for Cougar Tales

When Production / Design company Mrs. K was asked to pitch for the show package for E! Network's sassy show "25 Hottest Hollywood Cougar Tales" they turned to animation company Gasket Studios for assistance.

When Mrs. K was awarded the job, Gasket became the obvious choice to help realize the sexy on air package.

Did someone just say "Here kitty, kitty?"

The show, as noted in the title, is a look at the steamy relations between 25 older stars and their junior significant others.

For those that haven't heard the term, Cougar signifies a woman "In her prime" who roams the wilds of singledom looking for a mate who is always younger and typically male.

To capture (pun intended) the appropriate look and feel of the program, Mrs. K Creative Director Mitch Monson incorporated Gasket design elements to conceive a show open that features a sexy woman/feline who leaps onto the scene, her tail whipping in anticipation of her romantic adventures.

"We were excited to tap the expertise of Gasket and its illustrative and mixed-collage style," explains Monson.

"They really pushed us to render the silhouetted cougar character into in 3D, a technique that was ultimately used through out the multilayered jungle environment in a truly collaborative and rewarding process."

More: Mrs. K Hunts Down Gasket for Cougar Tales

The Next-Gen Design Competition

Influence tomorrow's digital lifestyle with your vision of the Next-Gen PC.

Change the way people pursue their passions by designing the ultimate Next-Gen Windows-based PC.

Give them everything they need to do what they love, easily, powerfully, and enjoyably.

The Next-Gen Design Competition is designed to spotlight the developers of innovative PC industrial designs, as well as increase awareness among consumers and businesses about the importance of industrial design and the digital lifestyle in the development of PCs.

Entrants are asked to design the next generation of Windows-based PCs from hardware to software to the out of box experience.

Microsoft envisions great things for the PC, with design being a focal point of innovation.

Rethink the grey box of the past, and envision the PC of the future and a machine for the truly passionate.

Designs for practically any Windows-based PC design concept may be entered; however, challenges of manufacturability should be considered.

Entries must be submitted online by December 14th 11:59 pm EST.

Open to amateur, student and professional industrial designers who are 14 years or older at the time of entry.

Students do not need to be enrolled in an industrial design program to participate and can submit their entries even if the design is in research or corporately funded.

Source: www.nextgendesigncomp.com...

The Pentawards 2007 Winners Announced

Presided over by Gerard Caron, the international jury for the Pentawards, the first worldwide competition dedicated exclusively to Packaging Design, announce their list of winners for 2007.

Design Bridge Amsterdam (Holland) has won the Diamond Pentaward, best of the show, for its outstanding work for the beer Swinckels.

Award winners received their trophies during the Luxepack Exhibition which was just held in Monaco (France) and their creations will be displayed at the Luxepack Exhibition in Shanghai in November 07.

In addition, Diamond and Platinum Pentawards received an Esko Visualizer software.

Gold, Silver and Bronze Pentawards have also been handed out in most of the sub-categories.

More: The Pentawards 2007 Winners Announced

CITIZEN:Citizen Launches ccPhone

CITIZEN:Citizen is constantly questioning the value of and our relationship to objects.

In the vein of commenting on mass culture and mass consumerism, Tobias Wong's latest creation, exclusively for CITIZEN:Citizen, is launching today.

The matte black phone, titled ccPhone, is limited to an edition of 50.

The ccPhone is constructed from an iPhone.

This phone is jet black and its matte surface gives a sense of awe.

Tobias has, in the past, used appropriation to highlight the original beauty of a design classic and by adding his own observation or take, he creates an exercise in pure persuasion.

Wong rests in that liminal space of artist, designer and social commentator.

Wong uses design as a medium and in the case, the medium is the iPhone.

As a designer, he offers new ways of looking at an object that hundreds of designers have already worked on, usurping their ideas and improving on what has been deemed a classic.

As a social commentator, he is highlighting our constant need to consume and our obsession with differentiating ourselves with the objects in our life.

Wong plays to both our brain and our gut, the logical and the visceral.

On the one hand, he makes us aware of our obsession as consumers, on the other hand he lures us back in by creating such beautiful observations, ones that we invariably want to consume.

More: CITIZEN:Citizen Launches ccPhone

Winner of the European Fashion Labs Award

Istituto Europeo di Design Madrid announced the winner of its European Fashion Labs award at Russian Fashion Week.

The award consists of a scholarship for a young Russian designer, who will come to IED Madrid to participate in a week-long workshop with Portuguese designers Aforest Design and luxury crystal cut company Swarovski, held in European Fashion Labs during 2008.

The winner of European Fashion Labs award is Cyrille Gassiline, the most upcoming talent in the Russian scene, who has already take part at events like Milano Fashion Week and Russian Fashion Week.

Cyrille Gassiline works with silks and taffeta, pale colours and smooth cuts, with which he gives and ethereal appearance to his models.

As he puts it, his models "should be transparent, as if they were painted with water colors".

The young designer studied historical garments with the well-known Russian fashion historian Aleksandr Vasiliev, who says that "No else today can beat him (Gassiline) when it comes to modernity and style".

Source: www.europeanfashionlabs.com/?language...

Sustainable Innovation 2008

Sustainability is a global imperative.

Climate change is now "top of mind" with widespread daily media coverage, stakeholder consensus on the science, highlighting of the economics by the Stern Review, and Al Gore's recent Oscar and Nobel Prize.

This is leading to growing discussion over the need for a transformation towards low carbon economies and technologies.

Coupled to this there are increasing pressures for significantly leaps in resource productivity and a movement to "closed loop" solutions.

Opportunities are starting to emerge.

The market for sustainable technologies has been projected to be worth $800 billion by 2015.

However, this figure undervalues the market as it does not account for the growing integration of renewable materials and alternative energy generation into products, technologies and buildings.

Areas that will see significant growth include wind, solar, biomaterials, bio-energies, green buildings, sustainable mobility, smart grids, water filtration, and energy monitoring products and technologies.

The clarion call is for innovation, innovation, innovation - short, medium and long-term.

However, what do future sustainable products, technologies and industries look like? Sustainable Innovation 08 will address this imperative with new visions, thinking and solutions.

Sustainable Innovation 08 will provide a platform to discuss in the future opportunities and challenges related to sustainable innovation, technology, product and service design and development.

More: Sustainable Innovation 2008

Undesignable : Design Market

The Undesignable Markets are dedicated to post-war Design and Optical Art.

After the good success of the first edition, we start the second edition in one of the most attractive cities in Europe.

The next Undesignable Market will take place in a former hangar at Berlin's Tempelhof Airport, where a total area of approximatly 1800 sqm will be the fantastic stage for design shops, design galleries and private collectors from all over Europe.

The former hangar at Berlin's Tempelhof Airport, as unique in its architecture as in its history, is the perfect place to show and see Design Classics, High Class Objects, Vintage Objects and Furniture, Objects from Private Collections, etc.

On this fall day, Hangar2 will gather numerous dealers, collectors and design lovers from all over Europe.

The new Undesignable Market - Berlin edition - offers a good opportunity to get icons or design furniture from the 20th century : Design and Architect Furniture, decorative furniture of the 20th, lighting, metal, ceramics, glass, jewellery, accessories and litterature, etc.

Easy to reach by private as well as by public transport, the location is also close to the galleries and designs shop of the Keithstrasse, Motzstrasse, Auguststrasse, Schwedterstrasse, as well as the well-known Bergmannstrasse, in Berlin's Kreuzberg district..

The Undesignable Market Berlin edition, will open for the public on 11th of November 2007, from 11am to 5pm (11h-17h).

Source: www.undesignable.eu/...

Contemporary Jewish Museum Opens New Libeskind Designed Building on June 8, 2008

The Contemporary Jewish Museum (CJM) will open its new Daniel Libeskind designed building on Sunday, June 8, 2008.

The new facility - located on Mission Street in downtown San Francisco's Yerba Buena cultural district - is an adaptive reuse of the landmark 1907 Jessie Street Power Substation with an extension clad in vibrant blue steel panels.

Mr. Libeskind's design for the new 63,000 square-foot building preserves the character- defining features of the substation and introduces bold contemporary spaces dedicated to galleries, performances, and education programs.

The new CJM building embodies the Museum's mission to be a lively center for engaging audiences of all ages and backgrounds with Jewish culture and it greatly increases the Museum's space for exhibitions and innovative programs in visual, performing, and media arts.

Founded in 1984, the CJM has established a history of presenting exhibitions and education programs that explore contemporary perspectives on Jewish culture, history, art, and ideas.

More: Contemporary Jewish Museum Opens New Libeskind Designed Building on June 8, 2008

Craft Animations in the USA

To meet increasing demand from the animation and film industry, Craft Animations, a global 3D animations software company, announces today the addition of its newest office in Los Angeles, California.

"We are extremely excited about our new location as it will bring us closer to our largest customer base; the film and animation industry.

I am intrigued by the opportunity to expand Craft's presence in this region" says Lou Badju, North American Managing Partner.

Craft Animations anticipates a spur in additional growth and increased communication with clients.

Craft will be offering workshops on a regular basis, and North American customers will now be pleased to know that the office can be reached during normal business hours.

Source:
www.cra...

Findings From the Web Design Survey

In April 2007, A List Apart and An Event Apart conducted a survey of people who make websites.

Close to 33,000 web professionals answered the survey's 37 questions, providing the first data ever collected on the business of web design and development as practiced in the U.S. and worldwide.

To make sense of it, An Event Apart commissioned statisticians Alan Brickman and Larry Yu to translate raw data into meaningful findings.

Like many aspects of web design itself, the research process took the form of a dialog and included multiple stages of discovery.

Preliminary findings answered some questions and raised others requiring additional study.

"The more we unearthed, the deeper we dug. The report shares everything we learned.

We offer it freely to this community that has given us so much."

Source:
alistap...

Trollback + Company Brands 11th Annual Pop!tech Conference

Visual and conceptual creative studio Trollbäck + Company has applied its highly-respected branding skills to the 11th annual Pop!Tech Conference, with a complete design program that captures the inspiring and relevant voice of the conference, and communicates it with a unified language.

The conference is taking place October 17-20 in Camden, Maine.

Pop!Tech 2007 will initiate dialogue on the theme "The Human Impact" - the different ways that human beings impact, and are being impacted by, the world and each other.

From the future of the oceans to the system of civilization and solutions to global poverty, powerful ideas and innovative projects will be discussed and examined by the 600 attendees, as well as online by live bloggers in seven different languages.

The branding package, which includes two opening sequences, speaker slates, online material and print material such as badges, schedules and signage, is conceived to convey the theme of the conference in an abstract and visually contemporary manner.

Inspired by the ideas of change, patterns and evolution, the opening sequences poetically conceptualize the inevitable and interchangeable connection between the environment and humanity.

"We wanted to illustrate how humans transform their physical and mental environment," says Jakob Trollbäck, creative director of Trollbäck + Company.

"The visuals reference the dynamics of change, the gradual impact we have on ourselves and our world."
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